#i can't decide what i think bison thinks of kant's expression

[ropebunnykant]

okay sooo, this is actually part two of a post dissecting the boat scene because i have far too much to say about it, you can find part one here.

where i last left off, i was talking about how bison is asking kant to answer him after asking who forced him to work for the police, which gets us to this moment.

lauren @sunsetsover already talked a little bit about this moment here, and to reiterate what she said, this is the first time in the show where we see kant actually ask for something he needs.

now, in the early episodes, i talked a lot about how kant needs control and how he doesn't really ask for things. his tactic tends to be just taking, and again, it goes back to those control issues. and it's funny because kant, in so many ways, is a walking contradiction. he has had to be in control of everything since he was a child, a young child, which we learn in this scene as well. his control issues aren't him being an asshole, it's a coping mechanism. he's had to have everything under control, has had to have everything on his shoulders since the moment his parents died. and yet, at the same time, kant has never had any ACTUAL control over his own situation. his parents died and he was forced to take on the role of father, parent, caretaker, for babe who couldn't have been older than two or three, if that, when their parents died. and since that, every decision he's made has been a product of taking care of babe. he probably never went to college because he had to take care of babe, he never had dreams or goals because he had to look after his brother. he stole cars, he became a police informant, all so he could take care of babe, and he didn't actually have a say in any of it!

kant hasn't had a choice in anything, and he's never actually asked for or done anything for himself.

but in this moment he does. in this moment he has to. so he asks bison, in his still deadpan tone, to calm down. he tell him he'll explain everything if they get on land, and he tells him that he's scared of the ocean. this is kant at his most vulnerable, his most open, begging bison to listen to him - not just when it comes to the truth, but about what he needs in the moment. the camera pans back to show us the water again and then kant looks and some emotion finally comes back when he does, and you can see the fear in his eyes again as he tells bison he's scared. but of course bison doesn't listen. why would he?

who cares what you need, kant? who cares what you want, kant? you hurt him. you betrayed him. you told him you loved him and you lied. at least that's what bison believes.

you can see kant slowly starting to come back here. the fear and guilt slowly coming back into his expression after he'd been completely blank.

and bison lays it on thicker. tells kant how much he's hurt him.

and i think this right here. this is when kant decides to stop speaking entirely. this is when he realizes nothing he could possibly say is going to fix this. nothing is going to get him back on land. and maybe he deserves that, doesn't he? for what he did? for everything he's done?

bison asks kant outright if he gave him the necklace because he loves him but kant can't answer. not because that's not exactly why he did give bison the necklace, but because he knows bison won't believe it. kant could get on his knees right now and tell bison everything, the whole truth, but bison wouldn't believe it. bison has already made up his mind that kant never loved him, he'd be talking to a wall. and that hurts. because he knows he fucked up. he knows he lied. but that necklace was real. that necklace was kant's burger pin. he gave it to bison like he gave bison his heart and now bison is dangling it in front of him as if it's proof of the opposite.

and god this little sequence right here, too. the way bison is yelling and he's angry but he's just so hurt too. you can see it on his face in the second screenshot. he's asking because he needs kant to tell him that he doesn't love bison. that he never did. because maybe then it'll make it a little easier to put a bullet between his eyes. but kant can't tell him that. because it's not the truth. because yes kant lied, yes kant betrayed him. but loving bison was never the lie. bison is holding the proof of it in his hands, even if can't see that.

kant takes a breath here and god, again, you can see how resigned he is at this point. he can't answer bison, doesn't see a point. he knows there's nothing he can do to change bison's mind. if he says he does love bison, he'll call him a liar. and lying isn't an option anymore - not only would it not get him anywhere, but he can't do it anymore. he can't physically lie to bison anymore. he's done. there's nothing else he can say.

then bison throws the necklace in the water and tells kant to go get it and oh the fear is back again, and the heartbreak too. i think kant was thinking, hoping, that bison would just shoot him. but instead you see him realize that bison wants him to jump in the water instead. that bison wants him to drown for this. to spend his last moments in absolute fucking terror.

and god this might be the part of the scene that got me the most. kant looks at the water and he doesn't see the water in front of him. he sees a suitcase from the plane crash and he hears himself calling for his dad. he might very well be having a ptsd episode or getting close to one.

kant is so terrified in this moment but he looks at bison and bison tells him to go and kant has a choice here. for once, he has a choice. he can jump in the water like bison wants him to, or he can let bison shoot him for not listening. and the crazy part is, you would think the man so panicked over this water would choose the gun, the quick and painless way, but even here before bison threatens to push him, kant is already starting to step towards the edge. he doesn't even need to think about it. because he deserves this, doesn't he? he deserves to die in sheer terror and fear because of what he did to bison. and at least this way, maybe he can die with bison believing he loved him. maybe he can prove himself in his final act.

but he still can't actually bring himself forward yet. because he's still fucking terrified of jumping in, of what will happen. because all he can think about is when he was a kid and he almost drowned in a plane crash.

i've reached image limit again, but you can find part three here.

[deliriousblue]

THE HEART KILLERS (2024) episode five

[secriden]

I thought I was done talking about Style in THK's episode 2, but jokes on me, no I'm not.

I keep thinking about Style and Bison's first interaction and how pure and sweet it was. In the middle of the mess that is this 4-way whirlwind of lies and deception, it felt like a refreshingly honest conversation between two people who are only accidentally lying to each other.

Style seems incredibly earnest when he tells Bison that Kant is "down bad" for him. It doesn't feel like Style is 'wingmanning' Kant here; or if he is, it isn't meant to be malicious or to mislead Bison. It feels like someone being friendly with his bff's crush and hoping that they can get along because he thinks this one's going to stick around.

Similarly, when Bison tells Style to go for Fadel for real, it feels very honest and earnest. Setting aside whatever games Bison is playing with Kant, Bison seems to genuinely want someone for his big brother, and not just so he can date who he wants or as a distraction.

It's also interesting how Style's protest is that he can't see himself actually gaining feelings for Fadel because in a way there's nothing to recommend Fadel to Style at this point. As far as Style is concerned, Fadel is arrogant and condescending, rude and ungrateful (after all, he did replace a bunch of parts in Fadel's car for free), a stick in the mud about his brother dating, and can't seem to take a joke.

We see the polite, pleasant and reasonable Fadel, but Style doesn't.

Which is why I've been obsessing over Style's expressions immediately after the conversation with Bison. Bison's parting insight is "He's rough on the outside, and on the inside," and I think he accidentally piqued Style's curiosity with that line. Because why does Bison still want his brother to have a "real" relationship, then? What makes Fadel worth loving, despite (what Style thinks is) nothing to recommend him?

Ugh I wish I knew how to make gifs because BLESS @airenyah FOR MAKING THESE GIFS!!! Dunk goes through a whole sequence of expressions here that suggests a shift happens in the way he's thinking of Fadel. There's a pensive and thoughtful look and then almost like, "Oh what the hell, might as well see where this goes" kind of amusement at the end. And I think the reason he has this shift is because he's realised that Bison clearly loves his brother and that must mean that there's more to Fadel then his initial impression of the man.

It's interesting that his next attempt at messing with Fadel actually invites Fadel to play along with it. It's so much tamer and more private than the previous attempts because he isn't actively trying to humiliate Fadel this time. And it works?? Fadel engages in the roleplay, indulges Style's ridiculousness, actually chops faster (whilst the most hysterical series of minute expressions play over Fadel's face <3). Perhaps this was Style testing the waters: can Fadel engage with something playful and not take everything way too seriously? Huh, turns out, he can!

The next time Style shows up around Fadel, he's circled back to that playful over-the-top flirting that characterised the garage scene. This is the first time in this episode that Style is actually flirting. Every other time was just to frustrate/humiliate Fadel but notice how he's actively trying to look attractive to Fadel now? He's putting all his best (ahem) assets on display, and poor Fadel has no real protection against this. And, oh, Style is loving this! He's gleefully lapping up every single time Fadel fails to completely hide that he's affected by him.

This, though. THIS precisely is the point I think Style decides that he really does want Fadel for himself. There's so much playing out over Style's face: the determination to push things further, the delighted surprise to see Fadel so rattled, the razor sharp focus, and then desire. Style has finally broken through Fadel's "roughness" and he loves it.

If that uncle hadn't walked in, I'm convinced Fadel would have let Style do anything he wanted, and I think Style knew that.

It's the first time Style immediately chases after Fadel when he walks away from him, and he's absolutely delighted when Fadel all but chokes him against the lockers because that means he still has Fadel within reach.

The whole conversation about "love at first sight" is breathtaking because it feels like Style is discovering what's going to make Fadel crack as he says it and realising just how much he wants this. And no, I don't think he's in love with Fadel yet (not by a LONG shot), but I think he realises that he wants Fadel to fall in love with him. This is such a shift from what he expressed in the diner to Bison. In the diner, there was no hope, no chance for this.

The kisses catch Style by surprise too: you can see that he's just reacting, pushing to see where Fadel will finally draw the line. Because Fadel kisses back in the first kiss and actually fails to push Style away for quite some time in the 2nd kiss (the camera purposely lingers on the way Fadel's hands hover over Style's waist without shoving him back). The third kiss is the point Fadel finally starts fighting, and in the immidate aftermath you can see Style watching so carefully again. And Fadel nearly kisses him again, you see the way Fadel's eyes drop to Style's lips, the way they both freeze and linger in the moment for that one second. The way Style registers that moment and it leaves Style shaken himself.

It's so interesting that this is how we leave Style in this episode (we only see Fadel's fantasy version of Style after this point). I've got two possible interpretations for this line:

Style possibly catches on that Fadel is more dangerous than he seems. Maybe just from vibes, maybe from something in the way Fadel threatened him that kicks off some kind of fearful instinct. This could be what makes Style start questioning if Kant told him the full story and lead to whatever scene it is where Style demands answers in the episode 3 preview.

Alternatively, perhaps Fadel is starting to become real to Style in ways he wasn't before. Fadel was almost a caricature of a man, one which Style didn't like very much before, and that made it easier to fool around with him. But this? This almost tortured man who clearly wants Style but can't seem to give into that desire? Something is going on and Style isn't sure it's worth the game to either of them anymore. Because maybe Style recognises that he's more affected than he should be. And that has implications that Style was not ready for.

[deliriousblue]

THE HEART KILLERS (2024) episode three